![]() The Rutgers Research Council has supported art-historical research and helped me to buy photographs and permissions necessary to my first chapter. Jackson, Meyer Schapiro at the University of Illinois, Joseph Trahern and Leon Waldoff. If it were possible, I would like here to discharge my debt of gratitude to the teachers whose interests have helped to shape my own: at Columbia, Joan Ferrante, Robert Hanning, W. Fisher, Leo Steinberg, John Warner, and Christian Zacher for criticizing and encouraging me with versions or pieces of Chaucerian Play. I am also grateful to Anne Middleton for strong encouragement with the manuscript at a crucially early date, as well as to Betsy Bowden, Susan Crane, Alfred David, Sheila Delany, Gilles Delavaud, Edwin M. These people are the late Donald Howard, who was my first Press reader, and Doris Kretschmer of the University of California Press. I have rewritten this book several times over the course of several years and am most grateful to those who saw something of value in it in the first place and then bore with me while I changed virtually everything about the book except its title. Chaucerian Play: Comedy and Control in The Canterbury Tales. Berkeley: University of California Press, c1988 1988.
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